The wall is a layered canvas of faded paint and torn paper, its surface textured with peeling blue and white. Several white flyers, printed in Cyrillic, are affixed haphazardly, some partially obscured by overlapping sheets. The ink on the paper is smudged, suggesting wear and time. The edges of the paper curl and fray, revealing the wall beneath. The colors are muted—blues, whites, and browns—giving the scene a quiet, neglected feel. The lighting is soft, casting gentle shadows that deepen the crevices between the paper and plaster. The overall impression is one of accumulated messages, discarded, yet still visible, as if the wall itself is holding the remnants of fleeting human communication.
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