The street corner is quiet, with a small newsstand tucked beneath the shadow of a larger building. Its awning is cluttered with newspapers and magazines, their spines and covers showing signs of wear. A man in a white shirt stands behind the counter, his back to the viewer, seemingly organizing or selecting items. To the left, a red-and-white sign for “La República” stands beside a closed shuttered storefront. Above, the word “farmacia” is painted in faded red letters. The pavement is wet, reflecting the muted light, and a traffic light glows red at the corner. A white car is parked nearby, its front end slightly angled. The scene feels ordinary, unremarkable, yet persistent in its daily rhythm. The architecture is utilitarian, with stone facades and metal railings. The overall tone is subdued, almost monochrome except for the red signage and the green traffic light.
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